Working men and women leave the Lumière factory, through the main gate. Three separate versions of this film exist, this is the second remake "no horse" version.

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.

Several little boys run along a pier, then jump into the ocean.

Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Believing his wife to be dead, a man lets a woman, who has lost her child, nurse and bring up his infant son - until he finds out that his wife is still alive, and wants the baby back at any cost.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Daisy is a beautiful no-nonsense employee in an advertising firm. Her female co-workers want to help her find someone, and her male co-workers want to be that someone - but only as a one night stand. She begins to enjoy this attention.

1941 year. The flagship of the head detachment of the Black Sea Fleet gives an order to one of the submarines to remove the crew from the damaged torpedo boat. An enemy cruiser discovers a Soviet submarine and bombards it with bombs. Submarine forced to lie down. But the task will be completed - and the enemy will take flight.

Documentary about a street in Barcelona.

Om Bebek who wants to retire as a school bus driver. He and the bus driver, Paman Gembul, want to take the children to school. It turns out that in the middle of the trip, Om Duck's bus was hijacked by a kidnapper and the fate of the children on the bus was threatened

EVOLVE 85 was an event put on by Evolve which took place on May 21, 2017 at the Monaghan Knights Of Columbus Hall in Livonia, Michigan.

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).