In a city where nature has been forbidden, a small crime by a simple man triggers a chain of unexpected consequences.

A young physician becomes lonely when his workaholic wife ignores him to concentrate on her professional career. He is befriended by an older female artist who is fond of hallucinogenic mushrooms. When his wife is late for their anniversary celebration, he drinks and takes mushrooms with the artist. He wakes up to find she has died and is fearful he may have accidentally killed her.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

A woman is tortured by the sudden disappearance of her only child years before. Obsessed with having another baby, she is devastated and driven to emotional crisis when discovering her new husband is infertile. Gripped by despair, the woman begins to resign herself to the bitter likelihood of never having another child. Striking up a friendship with two discarded young laborers hired to re-paint her son's now silent room, the three lost souls form a disturbing bond as the boys are led deeper into the woman's tormented world. Her family's suspicions of this unsettling new friendship sets off an irreversible series of events, leading to madness and murder as the horrors of the past collide with the sins of the present, ending in tragedy and terror.

Alone staying in the big city. What would I do?

Moritz Kaiser, good-looking single from passion, enjoys the carefree life in the fast lane. The successful chief designer of a furniture company lives in a luxury apartment and drives a thick sports car. The tide turns when he is fired after an affair with his boss's wife and finds no job. After unsuccessful lavatory cleaning, he lands at the small furniture manufacturer Toby Breuer, who wants to hire only a seasoned family man according to his alternative corporate philosophy.

After the attacks in Paris in 2015, Raphael Mehlman is really aware of his Jewishness. His brother, the writer Joël Mehlman, develops a novel then gets lost between his characters and reality, mixing his fiction and his own life.

This plodding piece of cinematic ambiguity finds a married couple engaged in boring conversation in a window as scenery changes behind them. When they manage to talk about love, some of the tedium is lifted in the wake of their amorous verbiage. This black and white effort from Jean Pierre Lefebvre depends on symbolic impressionism rather than plot.

Plamuz animates a cool jazz ensemble's jam session, splitting the screen into pulsing shards of color that dance to different instruments from one moment to the next.

Miss India and an aspiring actor spend a night together roaming the streets of Mumbai and unwittingly clash paths with a megalomaniacal gangster planning to take over India.

A 30-sth. businessman gets stuck on a man-eating traffic island in the middle of a forest for an entire year.

Computer operator Faber works on securing computers for big companies and banks. His private life is rather dull until he meets a strange women, Juliet and falls in love. Her friend convinces Faber to exploit his knowledge to rob a bank.

Misaki has been attending a women's university in Tokyo since this spring, and has been living with her boyfriend, Kenji, who is her senior in high school. However, one night she discoveres that he cheated on her and leaves him. She has no money and no place to go Misaki is in the women's dormitory at the university. She decided to enter the "Shirayuri Dormitory". The people who gently called out to Misaki were Shizuka, a fourth-year student and dormitory director, and Saori, a third-year student. A welcome party was held in Shizuka's room, and when Misaki returned to the room, Shizuka and her friends were in a mysterious atmosphere. The two were lesbians. Shizuka then taught Misaki about her university life, and she said that she thought of herself as her real sister and that she could talk to her about anything.