Western remake of Jack London's The Sea Wolf. A sadistic mining camp owner "hires" scoundrels to work the mine. He just won't let them quit.

A businessman is wrongly accused and convicted for the murder of his associate.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Shocking news hits after young architect Dawson loses his best friend London. In his heartbreak, Dawson is compelled to launch an impossible search for London’s secret sister, twins separated as embryos. But along the way, Dawson never planned to fall in love.

Twenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced, bearing nostalgic gifts and a heavy secret.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

A man is imprisoned for a crime he didn't commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

Ex-championship diver Victoras whiles away his days on the Greek coast, toiling away at a factory with only his dreams, medals and grandmother for company. When a phone call summons him to Germany, a simple road trip is the answer - that is until he crosses paths with the handsome Mathias - a free-spirited hitchhiker who tempts Victoras to take the road not taken.

No Pressure is a controversial 2010 short film produced by the global warming mitigation campaign 10:10. Intended for cinema and television advertisements, No Pressure is composed of scenes in which a variety of people in every-day situations are graphically blown to pieces for failing to be sufficiently enthusiastic about the 10:10 campaign to reduce CO2 emissions. The film's makers said that they viewed No Pressure as "a funny and satirical tongue-in-cheek little film in the over-the-top style of Monty Python or South Park".

In the latest film from Red Bull Music Academy, we turn our attention to DFA: the iconic NYC record label that got the indie kids to dance. Narrated by Marc Maron, it features music and appearances from James Murphy, LCD Soundsystem, The Rapture, Holy Ghost!, The Juan MacLean, Shit Robot, Sinkane, YACHT and many more! - Written by Anonymous

Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.

Six strangers awake to find themselves the new tenants of a mysterious old house. Terrorized by insane Tiki-men in masks and taunted by their deranged captors,it soon becomes clear that only one singular action will save them: Kill.

Mabel and Roscoe love each other, but her father likes another boy. A rather sissified young man. Roscoe and Mabel stages an accident.

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.

"CODE NAME: Nagasaki" tells the story of Marius and Fredrik, two young men who forged their friendship through filmmaking and decided to put their skills to a unique challenge: finding Marius’ long lost Japanese mother.

A trans girl and her mother move to a new town in order to start fresh, but quickly face dilemmas when the local high school needs a second parental signature for enrollment.

A few years ago, when Tomomi (Hiroko Akune) was on the way home from school, she saw her friend Keiko (Misaki Mori) about to be raped by a man. Tomomi hit the man in the head with a stone and saved Keiko. In the present, Keiko, has buried her past, sells her body in Tokyo. One day, Keiko is contacted by Tomomi. They haven't spoken since their high school graduation. They meet and Keiko lets Tomomi stay at her apartment. Soon, the bizarre lives of the two women begins, with Tomomi also selling her body.