A bellboy stalks a woman who frequents the hotel where he works.

Inventor Thomas Edison's boyhood is chronicled and shows him as a lad whose early inventions and scientific experiments usually end up causing disastrous results. As a result, the towns folk all think Tom is crazy, and creating a strained relationship between Tom and his father. Tom's only solace is his understanding mother who believes he's headed to do great things.

A sex addicted stripper tries to start a clean life in a new city with a law student, but her lust for man turns criminal.

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

The Brawl to End It All was a professional wrestling event produced by the World Wrestling Federation (WWF) and broadcast live on MTV. It took place at Madison Square Garden in New York, New York on July 23, 1984. The show was a major event in the Rock 'n' Wrestling Connection in the mid-1980s WWF. The main event featured The Fabulous Moolah defending the WWF Women's Championship against Wendi Richter. Richter pinned Moolah to win the Women's Championship. It was the only match of the event that was shown on national television. The entire event was recorded and shown on the Madison Square Garden network however.

Two 16 year old girls compete to be the national champion of llama showing. The only thing that stands in their way of the title is each other.

HELEN OF FOUR GATES was made in Hebden Bridge in 1920 by silent film pioneer Cecil M. Hepworth, based on a popular novel of the same name. Reportedly highly successful when it first opened, the film would later fall into obscurity, with all copies believed to be destroyed. In 2007, a print was discovered in a vault in Canada.

Science-fiction B-movie spoof. A bunch of misfit high-schoolers must band together to stop an army of brain creatures from outer space that intend to kidnap Elvis Presley when he performs in a small New England town.

A treasure map found by three young boys allows them reason to get their kicks in more ways than one.

A group of Black and Latin women activists in San José, California, drive a grassroots movement to remove police from their children's schools.

This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.

A visual sound work with live soundtrack in a 6 channel stereophonic sound.

The familiar song is adapted into a cartoon short. Abdul The Bulbul-Ameer, a rotund Arab, gets into a brawl with Ivan Skavinski Scavar, a preening Russian Cossack, over an offense to Abdul's pride. Groucho Marx and a newsreel crew provide running commentary as the pair pummel each other and the surrounding square.

A father obsessed with an old school copying machine wreaks havoc on the family, causing a change in their relationships. Explores the life of each family member and how their lives are intertwined with each other.

"A film about musicologists who can’t dance, nonetheless dancing in, and (not) talking about, a landscape they cannot see, not because they are blind, but because they; like Neville Chamberlain – whose grimly baffling lack of insight they bring to mind: are entirely out of touch with both the ontology and epistemology of the harsh South African reality they waltz in and out of."