Celebrate America with 2.5 hours of classic cartoons for Victory from the war era. Characters include Bugs Bunny, Porky Pig, Daffy Duck, Popeye, Superman, Mr. Hook and Private Snafu (a character that Dr. Seuss help create).

A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.

Two friends fighting dirty

Made-for-tv movie, the pilot for a "Brady Bunch" revival series, "The Brady Brides." Jan and Marcia have met the men of their dreams and decide to tie the knot. They agree to hold the weddings together in the family's back yard, but fight over whether to have a modern ceremony or a traditional one. Can the marriages be saved? All of the original cast members (except cousin Oliver) put in a return appearance.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Bob Marley and the Wailers entered the newly refurbished Tuff Gong Studios on May 1, 1980 to rehearse songs for the upcoming Uprising tour which starts June 1, 1980 in München, Germany. A film crew is at the rehearsal to film footage for a JBC documentary on Bob Marley and Tuff Gong. Much of the rehearsal was captured on film, and it has become legendary footage.

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Criminals aboard a train to the infamous penitentiary plot an escape, and receive outside help in their attempt.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Four friends find themselves in an unexpected dilemma after one of them falls for their principal's daughter. They find themselves on the run from a drug gang, a terrorist organization, and the police after they are accused of trying to assassinate the Minister of Interior.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

Standard Gauge is an autobiographical film that examines Morgan Fisher’s work as an editor in the film industry. The film goes through scraps of rejected material along with commentary on the meaning of all the scrapped images. This film is an account and critique of the processes of meaning within film production through an examination of both materialism and the institution of film itself.

On TJ's 18th birthday, a stranger delivers him a key from his father, last seen as he was hauled off to prison eight years earlier. With the key is an address for a proposed meeting – 3000 miles away and in two weeks. The key unlocks a timeworn 1968 convertible, with a coffin welded to its floor. With each decision that follows, TJ plunges deeper into the mysterious and beautiful landscapes we all navigate – on our own, with our tribe, through the shifting turns of the road ahead.