The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

Top-hatted pedestrians and horse-drawn traffic pass over Blackfriars Bridge in London.

In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.

A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death? The Hearts of Age is the first film made by Orson Welles. The film is an eight-minute short, which he co-directed with William Vance in 1934. The film stars Welles' first wife, Virginia Nicholson, as well as Welles himself. He made the film while attending the Todd School for Boys, in Woodstock, Illinois, at the age of 19.

A new piazza proposed for Leicester market is met by public opposition. This is a city described by one local historian as unromantic, so what do the developers expect?

Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.

When reticent Ama returns to the city where she was gifted to a white art collector as a little girl, the quest to reclaim her stolen childhood quickly goes into a tailspin when she recruits an ex-lover on her mission. Escaping the city on a remote country road, their journey is beset with a series of bizarre encounters as their fate is tied to that of two passengers they pick up.

Abel Amoroso, a cadet in a notary's house and responsible for taking the deposits to the bank, is kidnapped by a gang whose leader, Luis Santanelli, has an incredible physical resemblance to the cadet. The captor adopts the identity of his sosias, elopes with the loot, convinces investigators of his innocence, and marries Abel's girlfriend.

Atsuto was abandoned by his mother when he was young. He now works in the lost and found department at the Hoshigaoka Station. He spends his days imagining about the owner of the lost item, how the item became lost and found. One day, Atsuto learns that his mother committed suicide. His life begins to move ...

The story of the Mexican Revolution and a horse.

TV Special converting a Disney fan's house into their dream home.

Women who have been captured and sold as slave labor to a South American emerald mine hatch a plan for revolution and revenge.

Kiarostami as we have never really known him before, despite the transformative power of his many movies. Filmmaker and close friend Samadian avoids the talking heads of so many artistic memoirs to offer more candid clips of Kiarostami the man: lover of poetry, convivial with friends, engaging landscapes on and off screen, laughing with other artists. The artist and visionary emerges more clearly but so does a loving, wondrous man whom we will miss now as much as the auteur.