Dada Mohammed Sahib popularly called Dadasahib, is an old freedom fighter, and his son Abubacker is a former subeidar in the army. Abubacker is the brave son of a brave father, cannot help himself from reacting when he finds some terrorist activities and arms racket taking place in his own town Thaliyoor.

The hilarious trio from 'Ramji Rao Speaking' faces a new trouble when the heroine of their drama group quits.

Although Chicken does not make an appearance, Chan Ho Nam finds a new love interest in the form of Mei Ling. Meanwhile, Tung Sing returns to cause trouble again for Hung Hing, in the form of new leader Szeto Ho Nam.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Ken Burns' portrait of Louisiana governor and U.S. senator Huey Long.

From 1978 to 1982, Glenn O'Brien hosted a New York city public access cable TV show called TV Party. Co-hosted by Chris Stein, from Blondie, and directed by filmmaker Amos Poe, the hour long show took television where it had never gone before: to the edge of civility and "sub-realism" as Glenn would put it. Walter Steding and his TV Party "Orchestra" provided a musical accompaniment to the madness at hand, and many artists and musicians, from The Clash, Nile Rodgers, Jean-Michel Basquiat, David Bryne and Arto Lindsey were regular guests. It was the cocktail party that could be a political party. With 80 hours of disintegrating 3/4 inch videotape as a starting point, we tracked down the trend setting participants still living today and found out what they remember of the period and how the show influenced their lives. This, combined with clips from the orginal show, became the documentary "TV Party.

Demon is the bloodiest love story of all. Set in Victorian London it tells the tale of Lorcan a young handsome man cursed by love that transforms him into a blood-thirsty demon.

The movie is based on the true story of Takumi Asakawa - a Japanese man who entered Korea during the country's occupation by Japan. Takumi Asakawa became captivated by Korean culture and championed the value of such items as the traditional white Korean porcelain.

The heroes of the film are three bear cubs from the cult painting by Ivan Shishkin "Morning in a Pine Forest". After losing their painter mom, the three brothers Henry, Vincent, and August appear in Paris, the City of Light every creator dreams of. All attempts to earn their living as artists fail. Their impressionistic "collies" won't be acknowledged. Under cover as circus lions, the bear cubs travel back to Russia to find the heritage of their mom.

'Dark money' contributions, made possible by the U.S. Supreme Court's Citizens United ruling, flood modern American elections — but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics.

A documentary film about football career of Dejan Rambo Petković, who was a star of Brasileirão - Brasilian football league.

A stationary camera looks west across Niagara Falls from the United States' side (the Niagara River rushes toward the falls from right to left). Virtually overlooking the falls and surrounded by the swift current not far from the camera is a small island where six or eight tourists watch the water, talk, and move about.

BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.

Two small-time song-and-dance men come up with what they believe is a surefire publicity stunt, guaranteed to keep their names in the public eye--one of them will "disappear" in what looks like a murder, and the other will be convicted of the crime. Then the "dead man" will suddenly show up at his partner's murder trial. Unfortunately, things don't quite go as planned. For one thing, no one seems to much care that the "dead man" is missing, and for another thing he's mistaken for the leader of a Balkan revolutionary group and is kidnapped by the other side.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

The main character is a man named Takashi Morioka, who has lost his job and his home due to a recession. He ends up falling into a trap set by the diabolical Yuki Michio, who happened to survive by chance an incident on an island 16 years ago where all the inhabitants were killed, and which caused him to become evil. In order to protect the things important to him, Takashi Morioka (Sato Takeru) is forced to stain his hands in evil.