The movie depicts the indomitable feminine spirit in all its grandeur. Most importantly the role of women in countering the evils of society on a broad canvas of agrarian India.

A turbulent day in a life, painted by air.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

A reality TV crew charter a boat to an island for filming, one which the boat's captain had been to before and attacked by giant shrews, more than fifty years earlier.

In her forties, Juana is tired of working as a hairdresser. By chance, she discovers the crime of some clients and decides to blackmail them. But they have other plans, which include a wedding to cover up the crime and blame the groom.

A woman embarks on a worldwide quest for sexual fulfillment, experimenting in the exotic jungles of Africa to the swinging beaches of California, no desire left unfulfilled.

The narrator sets the scene for a warped version of the classic poem, and the hijinks when assistant Porky gives the blacksmith a rubber horseshoe, then a hot horseshoe on the horse's backside by accident.

A dark comedy about a young woman who discovers her friend living in her garbage can on the morning of garbage day, leading to a confrontation that exposes their differing perspectives on life and the true meaning of being “garbage.”

When a human head is discovered, the paths of a female student, a cellist, an autistic teenager, a police officer, a prostitute, a teacher and a dog are found to be serendipitously entwined. Who caused the death? What is the motive? Where is the body? Attempts to answer these questions lead to keywords starting with the letter "G". As the case is peeled back layer by layer, the complexity and desperation of the people living in Hong Kong today are slowly uncovered, and a suspenseful multifarious Hong Kong story is revealed.

After a rough night out protesting in the city, Kosta and Maja fall in the hands of the police. Their lives will change forever.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Live at the Utilita Arena in Birmingham, Cockney comic Micky Flanagan is back for an hour of old-school jokes about energy bills, retro telly and marital disputes.

Aparicio and his wife, Alma Rosa, see a new priest arrive. Manuel, at the same time that he is discovering that the town will be razed to build a tourist urbanization, falls in love with Alma Rosa. The builders of the urbanization begin to spy on Manuel, who participates with the fishermen in the defense of their lands and upon learning of Alma Rosa and Manuel's love, they go to Aparicio to destroy Manuel and the fishermen.