A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.

Within the course of a night, Woody Harrelson finds himself in a misadventure in London that winds him up in prison.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

The misadventures of four groups of guests at the Beverly Hills Hotel.

Police commissioner Santamaria is investigating the murder of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, Anna Carla’s gay friend. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murder happens...

Onur, who has been deaf since birth, works as a librarian. His father had left him and his mother when he was seven, and Onur has always blamed himself for this. Although being able to speak, he has chosen to stay silent because of the pitying looks of the people around him. At his friend Vedat's engagement party, he meets Zeynep, who later finds out about Onur's hearing disability, but is not bothered by it. She is forced by her overbearing father to leave home and gets a job at a call-center. Having to speak on the phone all day to people she doesn't know, Zeynep finds peace with Onur, who she communicates with perfectly without speaking...

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

A sedated young jaguar dispassionately ruminates over his latest victims as well as the object of his affection in this mesmerizing video diary.

In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.

Priscilla is 16 and if you think a normal girl too, especially when repairs to your friends. When her mother goes to work and she stays alone at home, he decides he'll get in your square attitude and will fund that idea. Among the many changes it wants to promote in your life, virginity seems to be a priority, but it will be the right time is now? Although it decided to invest in more chicken from the class to live their first sexual experience, a group work at school and a trip with friends, can forever change your expectations because she discovers that not everything is exactly as said and the truth can be quite different from reality.

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, Edouard Lestingois. The Lestingois family decides to take in the irrepressible bum, and he shows his gratitude by shaking the household to its foundations. With Boudu Saved from Drowning, legendary director Jean Renoir takes advantage of a host of Parisian locations and the anarchic charms of his lead actor to create an effervescent satire of the bourgeoisie.

'God, Sex and Truth' delves into the world of sex where it digs out and projects the deepest dignity, divinity of the act and a women's true purpose of her sexuality.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

Ha-neul haven't seen her friend, Ye-sol for a long time, and so they spent a good time together. That time, Ye-sol's father, Min-soo enters the house. Ha-neul sees the young-looking Min-soo and makes a fuss. Ye-sol who is a little bit tipsy tells Ha-neul that he is her stepfather. That night, Ha-neul secretly entered sexy Min-soo's room...

Radio host Alan 'Dickie' Bird witnesses how an icecream van is attacked and destroyed by angry competitors. This leads him into the struggle between two Italian families over the icecream market of Glasgow.

A video essay by critic and filmmaker David Cairns examining Roger Corman’s adaptation of 'The Fall of the House of Usher' in relation to Poe’s story.