Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

Pomme is a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. She becomes the lover of middle-class literature-student François. The relationship sours when François takes her home to meet his parents, thanks in no small part to their differing social backgrounds.

Sami and Patrick are long-time friends. Sami is a hypochondriac. One day, following a misunderstanding at the hospital, Sami thinks he has an incurable neurological disease. He decides to live his last moments to the fullest and goes to India to be treated by a great local "doctor". In the meantime, his friend Patrick, who has been accompanying and supporting him without knowing that this illness is in fact fictitious, finds himself without a wife or job. The initial situation seems to be reversed; Patrick is out of luck and Sami seems less and less ill.

The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Four guys from a Paris housing project fabricate a documentary about drug dealers working in the City of Lights. When a television network falls hook, line, and sinker for the prank video, the foursome are given a free three-week vacation in the upscale resort community of Biarritz. As they interact with both locals and fellow tourists, they learn about love, friendship, racism, and the differences between the rich and the poor.

Two ex-convicts, MG and Gilbert find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no other solution than to take this entire brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don't think twice before helping them, they are even ready to put their guests off, even to kill them if necessary...

French director Isabelle Doval directs her husband, popular comedic actor José Garcia, in the comedy Rire et Chatiment (Laughter and Punishment). Vincent (Garcia) is a popular physician whose aggressive need to be funny and get people's attention annoys his girlfriend, Camille (Doval), to the point that she leaves him. He begins to suspect she might have been onto something when his behavior begins causing people to die.

In 1919, in a small town under the crushing heat of summer, a war hero is held prisoner in an abandoned barracks. Outside, his mangy dog barks night and day. Not far off in the countryside, an extraordinarily intelligent young woman works the land, waiting and hoping. A judge whose principles have been sorely shaken by the war is coming to sort out this case of which it is better not to speak.

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.

A shaman from the South American rain forest visits France for a public relations campaign. In a hotel's elevator in Paris he meets a French good-for-nothing named Perrin he's fascinated with. He follows Perrin to his flat and although Perrin is not very enthusiastic about so much interest in his person, he lets the shaman spend the night in his flat. After an official meeting on the next day being part of the PR campaign the shaman suffers from a heart attack. Hardly being able to speak and laying in a hospital bed he demands to see Perrin. The latter is not very interested in meeting the shaman again. However it looks like it is to late for animosities as the shaman and Perrin seem to be tied mentally somehow since they've met in the elevator.

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

The life of four best friends in Paris: Antoine (a gym school teacher), Jeff (director of a monthly journal), Alex (Jeff's associate in the monthly journal and a Don Juan) and Manu (owner of fine food store). Their time is shared between their respective jobs, their relationship with women (their own and others...) and the times they meet together to discuss about life and play sport lottery.

An FSB officer falls in love with his agent, an American woman who works as a trader in a Russian bank.

Bernie, a 30 years old orphan, decides to leave his orphanage and find his parents. After an investigation, he meets Marion, a young heroin addict and falls in love with her. He believes that his family was victim of a plot and this is why they deserted him.

To his chagrin, young Marcel Pagnol and his family move back to their home in Marseilles, France, far from their pastoral holiday cottage in the hills. Determined, Marcel makes the long voyage back to the cottage on foot and lands himself in trouble. One day Marcel's father discovers a shortcut to the cottage, but it requires trespassing. Despite their trepidations, Marcel and his family begin using the secret trail to reach their cottage.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.

An undercover cop has his loyalties tested when the boss of the corporate gang he's spent years infiltrating dies.