An East L.A working stiff is bullied by his wife to run for a City Council position against a well-organized recognized political figure.

As part of a publicity campaign for the film 42nd Street (1933), Warner Bros. Pictures, with the assistance of the General Electric Corporation, assembled a 7-car gold- and silver-plated train they called "The 42nd. Street Special". With numerous Warner Bros. contract stars as passengers, the train made a tour across the USA. It was scheduled to make stops in more than 100 cities, ending in Washington, D.C. for the March 1933 inauguration of Franklin D. Roosevelt. This short film records the send-off for this trip from Los Angeles' Santa Fe Station. Using a microphone set up on the rear platform of the last car, several people addressed the crowd attending the event. Those making remarks include performers, studio executives, and the mayor of Los Angeles.

Comprised of two interviews with President Barack Obama conducted both before and after the 2016 Presidential election, The 44th President: In His Own Words is the President’s first-hand account of his time in office–his successes, his failures, his unfinished business–and what he hopes will be his legacy. Including additional interviews with members of his staff, Congress, and the press, The 44th President: In His Own Words is a unique examination of the Obama presidency from the inside out, and a profound and candid historical record that will stand for generations.

Three young scamps sabotage the Nazi occupiers, thereby setting the stage for a Soviet triumph. Made twenty-five years after World War II ended, this animated pageant still has the pungent tang of propaganda.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

A masked killer prowls the beaches of Argentina, injecting beautiful girls with heroin, and then using weird organ music to make them his zombie slaves.

Vincent Etchebar is spotted by the impresario Cartoni who gives him the opportunity to break into Paris. But nothing will go as planned.

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith's great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith's paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith's work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith's buried life, return the work to Provincetown and have Edith's contributions recognized by the larger art world.

A down-and-out detective tracks a woman obsessed with giving people the "Ultimate Climax" through death.

Born within a year of each other, Michael and Seamus Sullivan have become very different men - just how much becomes apparent on the eve of their father's funeral.

The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.

Two friends loiter on a square, with their mopeds. Loitering youngsters, moped girls: in any case, there is no sign of parents or school. The girls laugh, are silent and quarrel, joke about `nice tits', flirt with a Moroccan boy (and call him a fucking fundamentalist when he walks off with another girl). In between, they ride their mopeds. A loosely acted draft of two young lives.

A lady flexes.

This one has it all, the apprentice, the multiplying brooms, the buckets of water, everything that the Fantasia sequence has.

In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive

Live showcase of Jung Kook's new solo album "GOLDEN".

A successful New York businessman leads a double life as a computer thief.