Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

A provincial chemist in the throes of a mid-life crisis must choose between burying his dearly departed grandmother and cremating her in this quirky comedy of manners starring Valerie Lemercier, Denis Podalydes, and Isabelle Candelier.

Forging his own comedic boundaries, Anthony Jeselnik revels in getting away with saying things others can't in this stand-up special shot in New York.

A documentary following Wong Kar-wai and his cast and crew through the production of his 2000 film In the Mood for Love.

Carol Hammond, daughter of a politician, has vivid nightmares involving sex orgies and LSD. In a dream, she murders a neighbor she envies and wakes up to a real investigation into her neighbor's murder.

Michele Casali is a middle-class professor in Fascist Italy who teaches at the same high school attended by his only daughter, Giovanna. A shy and sensitive girl, her insecurities are only magnified by Michele's overprotectiveness—reaching a point of no return.

Joey Boca is the owner of a pizza parlour, and has been married to Rosalie for years. When Rosalie discovers that Joey is a womanizer and has been cheating on her for a long time, she goes to extreme lengths to punish him.

Eccentric and full of manias, Michele is a young high school professor who defines himself as “not used to happiness”. He realizes his life is meaningless if he doesn’t have a woman by his side but, after a series of rather disastrous experiences, he feels more alone than ever. Then, out of the blue, a new French teacher called Bianca arrives at school. Amongst uncertainties and contradictions, the two start dating. In the meantime, a series of homicides take place and a police officer begins to suspect that Michele is involved. Bianca will save him providing an alibi at the right moment, but then, everything goes wrong again.

Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.

Bruno Bonomo was a famous producer of B-movies in the ‘70s. After a long hiatus, Bonomo offers a screenplay to RAI centered on the figure of Italy’s prime minister and media tycoon Silvio Berlusconi, a subject so controversial that even the public television broadcaster refuses to produce it

The daring story of two friends, with a common musical past and a future to be written.

The stories of four girls who live in and around Rome.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.

With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.