The boys of Melbury Primary School are plunged into turmoil when the new French Master turns out to be a Mistress! Madelin Leforge's (the French Mistress) effect on the boys is swift and amazing. Suddenly everyone wants extra French Lessons just to glimpse the teacher in revealing shorts and bikinis. As discipline crumbles, a scandal explodes when the Head discovers the mademoiselle's mother was an old flame. Madeline must be dismissed to save further embarrassments.

Comedy in which a bungling railway worker is given the job of stationmaster at a rundown station in rural Ireland, where his sidekicks are a toothless old gaffer and a portly young loudmouth. Hilarious adventures ensue, including a locomotive chase after gunrunners make off with a train.

Schoolteacher William Potts is the double of a captured German spy, so he is sent to Germany by British Intelligence to obtain the plans of a new secret weapon, causing chaos in a Hitler Youth school in the process.

A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.

An interview with actor Michael J. Fox about his role in the 1989 film 'Casualties of War.'

Cutting and sewing as metaphors. Central to this work is the complex emotions surrounding love, separation, and the metonymic twinning of objects, including that of edited images and saturated sound. “AMOR is an exquisite lyric, shot in Rome and at the natural theatre of Salzburg. The recurring sounds of cutting cloth, hands clapping, hammering, and tapping underline the associations of the montage of short camera movements, which bring together the making of a suit, the restoration of a building, and details of a figure, presumably Beavers himself, standing in the natural theatre in a new suit, making a series of hand movements and gestures. A handsomely designed Italian banknote suggests the aesthetic economy of the film: the tailoring, trimming, and chiselling point to the editing of the film itself.” (P. Adams Sitney, Film Comment).

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.

Praxinoscope animation of the water mill. Series 2, number 3.

A man goes to work and comes home to his dog. Every day.

Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.

A woman's life falls to pieces when she's caught cheating on her husband.

A pushy busybody invites a young man to be her tenant, in hopes of arranging a marriage for her younger sister; but then has to get rid off him when she believes she has found an even better match.

"A double-decked trolley car, crowded with passengers, approaches and passes the camera. Carriages, pedestrians and bicyclists add to the action of the scene."

A young horse says hi to little donkey Spunky. But the horse's mother pulls him away, saying we don't associate with that kind. Spunky makes a few more overtures, and eventually they set off on a chase, running across a bull from time to time. The horse stops to eat a lot of apples and drink far too much water; this leaves him too bloated to move much at all. The two continue to anger the bull, which gives chase; Spunky saves the colt, and they all live in harmony.

An insider's look at the gritty streets of New York City, seen through the eyes of street booksellers.

Set entirely in one location, the film follows four strangers who become trapped in the elevator of St. Julian-a decrepit, inner-city building. An assassin, a religious zealot, a mother, and a thief...just moments after being confined, it becomes clear that one of them is mortally wounded. As the minutes tick by, a battle for survival ensues where each of them is forced to examine their sordid ties to St. Julian-the building, as well as the legacy of the religious figure.

A nerdy college student is pressured to help a jock write love letters to the campus beauty, even though the nerd is in love with her himself.

Lives of children living near a train station changes when they watch a Western film on a newly arrived TV set...