Videodance.

A turbulent day in a life, painted by air.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

As Manny has second thoughts about getting married, he is visited by an unexpected guest.

A reputed college professor is accused of sexual harassment by three women including his students and his neighbor. His fiancee sets out to investigate the truth behind the accusations.

Walter Mann is an actor who can make his life's dream come true: to star in his own play. However, the big moment that is about to arrive is interrupted by an internal struggle that will destabilize him emotionally.

Two female soldiers in a divided United Kingdom settle a score.

Story of Viet-American children trying to escape a camp.

"My attempt to repeat 'success'...this was the companion follow-up to RITUAL. Both films are densely compressed and they opened up many more options for future work. Super 8, silent."

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

A ranch owner turns his place into a home for boys who have lost their fathers in World War II. His evil female lawyer covets the ranch and uses a gang of local toughs, a pack of killer dogs, and a phoney rancher's beneficiary to get it. U.S. Marshal Rogers opens an investigation when the rancher is killed.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

In this series of the popular television almanac, the works “On Eternal Wanderings and About the Earth” by Ray Bradbury and “The Choice” by Kir Bulychev were filmed.

From the director of RFK Must Die, Killing Oswald explores the mystery of how and why John F. Kennedy and Lee Harvey Oswald were assassinated in 1963, tracing Oswald's strange transformation from US Marine radar operator in Japan, monitoring U2 spy planes over Russia; to 20-year-old Marxist defector, decamping to Moscow threatening to share military secrets with the KGB; to pro-Castro activist in New Orleans and self-proclaimed patsy in Dallas.