San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

A married woman with a lovely daughter lives a carefree life, until she meets her ex-lover at a friend’s wedding. They haven’t seen each other in ten years, but they begin an affair.

Light, color, and correlated sound. A program for the human nervous system.

A tenacious party girl fights to survive after three thieves commandeer her luxury yacht. Unable to escape and trapped on the yacht at high seas, the prey becomes the hunter as she turns the tables on the intruders and takes matters into her own hands.

Without warning, millions of mysterious alien “doors” suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies.

A matriarchal witch passes on her sinister inheritance to her grand-daughter, triggering the most horrific curses.

In an English village, a reporter and a mechanic listen to a ratcatcher explain his clever plan to outwit his prey.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

The compound of an arms manufacturer turns into a zombie nightmare when its workers are given the wrong formula.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

A parolee teams up with his old crew determined to find a buried bag of cash stolen a decade ago from a DEA bust gone bad, while being tracked by a retired Sheriff.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

The creators and actors from the TV show 'Freaks and Geeks' share their untold stories and pivotal moments from the making of the series that only aired for one season.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

The great theater director Federico Landi Porrini is looking for his Romeo and Juliet for the opera that should definitively consecrate his prestige and end his career. Vittoria stands out among the candidates, but she is excluded because of a shadow on her past. Determined to get a role in the play anyway, and with the complicity of her makeup artist friend, the young actress decides to try again under a false identity to prove all her talent. That's how she turns into Eight November, offers herself for the role of Romeo and gets the part. It does not seem so complicated for her to play someone else, both on stage and behind the scenes, even when her boyfriend is chosen to play the role of Mercutio. However, dressing as a man will allow her to discover a lot about herself, but more importantly about the people around her.

A group of high school friends decide to livestream themselves inside a haunted apartment building, but end up opening a portal to Hell.